Category Archives: Audio Reviews
- April 6, 2016
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A director is said to be captain of ship. He controls and authorises everything that goes into making of a film. Directing a single movie at a time is an exhausting task, mentally and physically. So, directors don’t take that risk. As an exception to this, we have RGV aka Ram Gopal Varma. We have a plenty of movie posters or teasers or trailers released of his movies. One in that list is Manchu Manoj starrer “Attack” produced by C Kalyan, Swethalana and Teja under C K Entertainments, having Beeruva fame Surabhi as lead actress. It is releasing into theatres today. Let’s see how it works on us!
Story:
Guru Raj (Prakash Raj) is a business man and a person who once runs a rowdy gang. He has three sons Kali (Jagapathy Babu), Gopi (Vadde Naveen), Radha (Manchu Manoj). While on a visit to temple, Guru Raj is attacked by a gang and is killed. His family is clueless about the motive behind this attack.
Kali starts digging out the possible reasons and motive for this attack and people involved and planned. Everyone starts going opposite them. They even gets no support from anyone. They doubt a person and find about his whereabouts through a Police. Kali goes there with his gang and he is killed in this attack. Then it is the rise of Radha to solve all the problems. Who is behind these attacks?? What is the motive behind these attacks?? That forms the rest of story.
Actor’s Performance:
Manchu Manoj as Radha doesn’t get much to perform in the first half. He is good throughout his role. Jagapathy Babu as Kali is impressive. It is said to be a comeback of Vadde Naveen. He is good with his performance. Prakash Raj as Guru Raj is adequate. RGV narrated philosophy through his role. What can a good actor/actors do when the script itself is a vaccum. Surabhi is seen hardly in the movie. Poonam Kaur is only meant for her thigh show. Abhimanyu Singh is good. Other actors are adequate.
Analysis:
Attack story plot is just laced with attacks and counter attacks. There is nothing to look into this story. Dialogues are simple and philosophical at times. All the characters in the movie are under developed. The script of this Attack is a big zero. Screenplay is bad. It fails to engage audience and also fails to create curiosity.
Music by Ravi Shankar is okay. His background music has nothing to do with this movie. His score where Jagapathi Babu dies is very bad. Cinematography by Anji is good. They are all RGV’s vintage angles. Ariel shots are good. Editing by Anwar Ali is mediocre. Stunts are well composed. Production values are good.
Plus Points:
1) Prakash Raj and Manoj Performances
2) Cinematography
Minus Points:
1) Music
2) Story
3) Screenplay
- March 23, 2016
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Review: Run – Interesting comic thriller
Many stories are being adapted from other film industries and are turning into money spinners at the box office. Following the same trend is Sundeep Kishan’s latest release Run. The movie released today and is an official remake of bilingual film Neram starring Nivin Pauly and Nazriya. While Anisha Ambrose is playing the female lead in Run, the film is directed by Ani Kanneganti of Mr Nookayya fame. Music is composed by Sai Karthik and the movie is bankrolled by Sudhakar Cherukuri, Kishore Garikapati and Ajay Sunkara on AK Entertainments banner. Here’s the review.
Story:
Sanju (Sundeep Kishan) loses his software job and is in dire need of money for his sister’s wedding. He borrows money from a ruthless guy called Vaddi Raja (Bobby Simha) for a high interest. Being jobless, Sanju fails to repay Vaddi Raja’s money for a couple of months. Problems take a toll on Sanju when his childhood girlfriend Ammu(Anisha Ambrose) leaves her house to live with Sanju going against her father’s (Kasi Viswanath) wish. Sanju borrows money from his friend Praveen (Praveen) to repay Vaddi Raja. Twist in the tale arises when this money is stolen. Vaddi Raja kidnaps Ammu and threatens Sanju. How will Sanju solve all these problems forms the story.
Actors Performance:
Sundeep Kishan as always delivered a good performance. Bobby Simha’s acting skills are already known to the nation. Being a national award winner, he steals the show as Vaddi Raja. Comedy track by Brahmaji, Praveen and Posani is good. Anisha Ambrose plays the role of a sweet girl friend and delivered a decent performance.
Technical Aspects:
Plot of the story is gripping. Good productional values from AK Entertainments teamBackground score plays a crucial role in elevating a scene to its next level. Cinematography is good so are the dialogues. An extra dose of comedy however was needed in the film.
- March 9, 2016
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Review: Kalyana Vaibhogame (Naga Shaurya, Malavika Nair)
Cast: Naga Shaurya, Malavika Nair
Banner: Sri Ranjith Movies
Music: Kalyani Koduri
Producer: K.L. Damodar Prasad
Director: Nandini Reddy
Story:
Shaurya (Naga Shaurya) is a happy go lucky youngster who works as a video game designer in Hyderabad. He has little respect for the institution of marriage and prefers to spend his life without responsibilities. He also plans to get hold of a multi million project in New York so that he can escape the traditional baggage.
As fate could have it, Shaurya’s doting grandmother falls ill and expresses her last wish that Shaurya should get married before she dies. Shaurya meets Divya (Malavika Nair), a medical student in typical marriage looks set up and they soon realize that both share similar views on marriage. In order to escape their respective parents pressure, they decide to get married and then plan for a divorce on mutual consent. How do the equations turn around after they get married?- forms the rest of the plot.
Actors Performances:
Naga Shaurya shines in the role of a typical urban youngster. His chemistry with Malavika Nair is worth mentioning and the young actor delivers par excellence in emotional scenes. If at all he chooses novel scripts, a bright future awaits this rising star!
The bubbly actress Malavika Nair is fantastic in the role of an independent girl who is controlled by her doting father all the time. Her role has multiple shades and she carries the urban look with amazing ease. However, her histrionics resemble Nitya Menon in many sequences yet she pulls off to be unique.
Yesteryear hero Anand turned character actor gets a meaty role as an over controlling father and he does it with great perfection. He has little scope to deliver long dialogues but still makes his presence felt. One can see a different dimension of 90s actress Raashi in this film. She delivers emotions with just her eyes and suited perfectly to the role of a herione’s mother who is reserved. She might become the next Nadhiya for her classy performance!
Aggressive actress Aishwarya tones down to suit the role of hero’s mother. She does a neat job.Mirchi Hemanth has very less scope to perform as the hero’s quirky friend but he does well. Taagubothu Ramesh and Ashish Vidyarthi surprise the audience with their reprise of roles from Alaa Modhalaindhi as software engineer Gautam and serial killer respectively. The rest of the supporting cast is quite good and do their part.
Analysis:
The lady director Nandini Reddy struck gold with her debut film Alaa Modhalaindhi which thereby increased more expectations when she announced her second project Jabardasth. But the film disappointed many audience for being a straight lift from Bollywood flick Band Baaja Baarat. The director seems to have decided to play on her strengths by delivering a feel good family entertainer with great performances with Kalyana Vaibhogame.
One can say she was successful to certain extent in this regard. The film is based on the point how youngsters consider the institution of marriage to be stress at this era. While the film takes off on a fresh note with satires on arranged marriages and how families pressurize their respective kids for getting married, it transforms to just another predictable love story as it progresses. Moreover, the basic storyline of the film has irresistible resemblance to Allu Arjun’s Happy sans commercial fights and masala. But some lines regarding the glorification of wedding system and family bonding were greatly executed.Kalyani Koduri delivers another melodious album for this flick and the songs blend with the storyline too well. The background score fuses well with the scenes and make it a pleasant watch.
Plus Points:
1)Lead actors performances
2)Clean comedy
Minus Points:
1)Dragging second half
2)Predictable storyline
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Review: Shaurya (Manchu Manoj, Regina Cassandra)
Cast: Manchu Manoj, Regina Cassandra
Music: Veda K
Producer: Malkapuram Siva Kumar
Director: K Dasaradh
Story:
Shourya (Manoj) is a Harvard graduate with loads of ambitions. In the opening scene, he plays a suave wannabe entrepreneur explaining his business plan. Then he meets his lover Netra (Regina) and they plan to leave India and work in the UK. However, Netra has a wish to visit Kotilingala temple during Sivaratri, and following this Shourya chances upon a series of unforeseen events. The movie rides on a ‘Who done it?’ template with intermittent twists and multiple sub-plots. We can’t reveal more of it here!
Actors Performances:
Manchu Manoj underplays his usual self and gives a subdued performance in this film. Whatever you expect from Manoj – the uncanny comedy, fights, etc. are not seen here. Good to see him venture out of the massy mold he created for himself over the years. Regina Cassandra plays the regular girl next door. A kind of the same role (with over-makeup) that’s she has been doing since eons. Though there were sparks of brilliance in her role, she couldn’t pull it off with poise. Prakash Raj sleepwalks the typical intelligent cop role and plays the one with Athadu hangover. His introduction is interesting but there should have been more meat on his character than just the one who’s connecting the dots.
Prabhas Sreenu owns the first half with his quirky comedy and makes the bland proceedings interesting Shakalaka Shankar presses the comic button in his introduction scene but his presence is shot-living. Brahmanandam has become boring these days with every director forcefully planting him to buy some run time. His character in this film also falls flat, and there’s just one spooky comic track to count on. Nagineedu plays the routine father with different intentions.Subbaraj is shown with negative shades and carries those traces all through the film. Nandu, Shayaji Shinde and others make blink-and-miss appearances.
Analysis:
With Shourya, director Dasarath comes out of his comfort zone of family dramas. He pens a decent story but the problem lies in the way in which it is narrated with many sub-plots. At a point of time the viewer gets confused in piecing them together. Every story has three points of view – audience, narrator, fact.
Shourya is based on this key element. That being said, when the twist pops up out of nowhere, the movie seems to be interesting but we are forced to watch the mundane stuff of boy-meets-girl and the hero wearing a heavy tinge of a Good Samaritan. This drenches out all the intrigue that’s generated from the happenings. The dialogues are good at places and the technical values are apt.
Plus Points:
1)Manoj and his nuanced performance and effortlessly handling the drifts in his character.
2) The climax, though a rip-off from many other flicks, is partly satiating.
Minus Points:
1)Routine scenes
2)Baseless comedy tracks and hurdling songs.
3)Music:
4)Veda K shines with his music in bits and pieces but fails to create an impact for this force-fit thriller.